Eddie Saeta’s DOCTOR DEATH (onscreen title: DOCTOR DEATH SEEKER OF SOULS) fits right in with that unmatchable period of early 1970s drive-in horror films. It has a similar atmosphere to the COUNT YORGA and BLACULA pictures (a mysterious fiend on the loose in modern day Los Angeles) while containing the black satire and inventive killings akin to the DR. PHIBES films. It’s ironic then that American International Pictures (AIP) turned down this independent production for theatrical distribution, so instead it was picked up by Cinerama (they failed to have another success on their hands in the vein of WILLARD or TALES FROM THE CRYPT). If you’ve never seen this one (and especially if you love your horror with that admittedly dated early 1970s style), you owe it to yourself to catch up with the mad Doctor, and Scorpion certainly does him justice with this long-awaited DVD release.

Fred Saunders (Barry Coe) has just lost his lovely young wife Laura (Jo Morrow, 13 GHOSTS), though she promises on her deathbed that she shall return to him. Fred attempts to instigate her return with professional help, but its fruitless in the hands of a spiritualist charlatan and a crazy old man who just dug up his wife’s bones. A newspaper ad promising reincarnation leads Fred to encounter with Tana (Florence Marly, QUEEN OF BLOOD) who convinces him to meet up with Dr. Death, who supposedly holds the power to transfer of souls. Dr. Death (John Considine, THE THIRSTY DEAD), who also happens to dabble in magic, performs a stage act where he removes the soul from an unfortunate deformed woman (he saws her body in half for the sake of theatrics) and moves her soul to the corpse of a statuesque blonde, who then returns to life with her new essence. Seeing this grisly display as murder, Fred still asks Dr. Death to revive his wife by transferring a soul into her resting body - the problem being that dear dead Laura doesn’t want to accept the foreign entity. Fred gives up on any further attempts, but Dr. Death doesn’t, combing the streets for pretty young victims including Fred’s pretty secretary Sandy (Cheryl Miller) in a last ditch effort which is to involve blood draining.

Although Saeta had never directed a horror film before, he shows some flair for the genre, never taking the campy material too seriously yet allowing things to be played straight pretty much throughout. There are some haunting sequences within, including Fred following his dead wife’s ghost into her open tomb, and the film should satisfy most gorehounds, especially when Doctor Death is stabbed by a young punk, who in turn gets sprayed with a black ink-like liquid which dissolves his face into a bloody pulp. The film has some noteworthy make-up and optical effects, and the script by TV actor Sal Ponti is surprisingly multi layered and allows the characters, especially Doctor Death, too have more characterization than what is usually called for in a low budget exploitation programmer. Doctor Death is keenly portrayed by Considine, sinister and suave and not quite totally over the top, but delivering his heavy-handed dialog with relish. The character’s existence and unworldly abilities are explained in a black and white flashback that shows him as an elderly sorcerer who assumes the body of his young apprentice, subsequently transferring his soul in a number of different personas of various races and sexes, over a period of 1,000 years.

At the very least, the film’s casting should have upped its cult reputation somewhat throughout the years (you have to give credit to any picture that casts Florence Marly as a malicious crossed lover). The players include familiar golden age TV character actor Jim Boles as the graveyard caretaker, THE BAT PEOPLE star Stewart Moss as Fred’s concerned doctor, Leon Askin (“Hogan’s Heroes”) as the Doctor’s Igor-like mute assistant, and TV horror host Larry "Seymour" Vincent as a cinematic strangler in a clever film-within-a-film bit. Most notable of all is an appearance by the legendary Moe Howard, which turns out to be his final film role. The leader of the Three Stooges was a long-time pal of Saeta (who worked at Columbia Studios and was an assistant director on some of the Stooges' shorts and feature films), and here he appears as an audience volunteer during Doctor Death’s on-stage transfer of souls. Moe has a great line as he's asked to check for the heartbeat of lovely Sivi Aberg, putting his ear to her ample bosom.

Rarely seen since its 1980s issue on VHS by Prism Entertainment, DOCTOR DEATH looks better than ever with this much welcomed DVD from Scorpion Releasing. The transfer was made in High-Definition from the original camera negatives, and the results are very impressive, with any minor grain or debris inherited from the master source. Presented in a 1.78:1 aspect ratio with anamorphic enhancement, picture detail is excellent, fleshtones look very natural and colors are quite vibrant. The mono English audio track is very clear with no noticeable defects.