WAIT
UNTIL DARK (1967)By 1967, young ingénue
Audrey Hepburn had matured into one of the most-loved women in Hollywood, adored
by audiences and her co-workers alike. Who would have suspected an Academy-award
winning actress (ROMAN HOLIDAY) and regular of countless romantic comedies (SABRINA,
BREAKFAST AT TIFFANY'S) and poignant dramas (THE CHILDREN'S HOUR, THE UNFORGIVEN)
would appear in a horror film? And not just any horror film, but her last film
role for almost 10 years? That film was WAIT UNTIL DARK, a claustrophobic suspense
thriller playing on the audience's darkest fear of being alone in a dark room
with a murderous maniac.
Audrey Hepburn is Susy Hendrix, a young blind woman living in a New York brownstone with herphotographer husband, Sam (Efrem Zimbalist, Jr., in a borderline detestable character). Pushed by Sam and herself to be "the world's champion blind lady," Susy is thrown a challenge when a trio of criminals discovers a child's doll filled with heroin has mysteriously found itself inside her apartment. Through multiple disguises and characters, the three baddies (led by sinister murderer Roat, played to the hilt by Alan Arkin) move in for the kill...until Susy, with the aid of young neighbor Gloria (Julie Herrod), discover their plot and are left on their own to fend for themselves...
I
think some viewers may not realize how truly innovative WAIT UNTIL DARK really
was. Very few horror films of that time were making great use of lighting or
the lack thereof and a limited set, almost like a stage play (as the project
originated, with Lee Remick as Susy), reeking of claustrophobic terror. In fact,
following PSYCHO, Young's film could be considered the first modern horror film
by some, playing on real-life emotions felt in the heart of the audience. The
picture is anchored by two really brilliant performances: the never disappointing
Audrey Hepburn and the psychotic edge of Alan Arkin. In every film I've seen
starring Ms. Hepburn, whenever she is in peril or has suffered a tremendous
blow to her happiness, I have been moved to tears because of her warm personality
and downright cute persona. Here, she is shown as aching to live a normal life
despite the loss of her eyesight, and her determination in spite of all odds
is what makes Suzy a superb heroine, a character of great fragility that we
care for, and I can't see anyone but Audrey Hepburn playing her. She was nominated
for an Academy Award for the film, but lost out to "the other Hepburn"
for GUESS
WHO'S
COMING TO DINNER?. Alan Arkin has really never received his props for being
a superb actor, and here he plays the villain for all he's worth, wielding a
switchblade, taunting Susy with licking flames, and double-crossing his partners
to take part in one of the most suspenseful showdowns in film history. Able
support is given by veteran character actors Richard Crenna, Jack Weston, a
brief appearance by lovely Samantha Jones, and surprisingly apt child actress
Julie Herrod. Two knocks against the film: the cheesy vocal theme song "Wait
Until Dark" playing over the end credits should have been ditched. And
in today's political climate, and actually the political climate of one year
after shooting (1968), Audrey's determination to please her husband, regardless
of how shabbily he treats her, leaves a sour taste in one's mouth. But both
moments are so brief they are forgotten in the sheer terror of the surrounding
thriller.
After
a long wait for this flick to hit DVD, those familiar with the print of the
VHS will see some familiar territory here. Letterboxed at 1.85:1 and anamorphically
enhanced, colors are strong in certain areas, but there are plenty of instances
of dirt, white lines, and an INCREDIBLE amount of grain on hand in this transfer.
The mono audio is nothing to cheer about, either, but it works well, especially
in the final 20 minutes. Thankfully, the film's so good one can live with the
flaws in the a/v department, but unfortunately the time for a pristine digital
presentation of WAIT UNTIL DARK isn't now.
Extras are not as extensive as
some fans of the film would hope, but Warners has put together quite a nice
little package here. The theatrical trailer is incredibly effective, with the
narrator
correctly
spouting "The film you will remember when you are alone....". Great
use of a heartbeat and the editing is superb! A second trailer features the
proclamation that the finale will be shown in the lowest light legally possible!
I can't imagine the intensity of seeing WAIT UNTIL DARK in a dark theater, it
would magnify the experience by at least triplefold. The featurette "A
Look in the Dark" features interviews with star Alan Arkin and producer
Mel Ferrer, who was also Audrey Hepburn's husband at the time. Both praise Hepburn's
performance highly, and since it is a performance-driven film confined to one
location for the majority of the running time, discussion of the interaction
between actors is appreciated, but there isn't much more information gleaned
on the actual making of the film. It's still great to see both actors appear
on-camera (for Ferrer, it's an incredibly rare treat to see him!). "Stage
Frantics" are brief liner notes discussing the originations of WAIT UNTIL
DARK as a stage play and its successful theater and film incarnations. Surprisingly,
the play was revived in 1998 starring Marisa Tomei and Quentin Tarantino (what?!?!?!)
and failed miserably. "Cast and Crew" is merely a page of cast and
credits, with no further bios or filmographies.
Fans of WAIT UNTIL DARK should be glad that Warner Brothers unearthed this classic out of mothballs and pressed it onto DVD, even though the final results are less than stellar. For what it's worth, this is a must-have disc, a superb thriller that still works in today's guts-n-grue horror climate and cheers to Warners for giving us this baby in time for a handy Halloween viewing! (Casey Scott)